Rana Chatterjee and Sangeeta Melekar performing during our '2 Saabs' Show on 13th Oct 2017 at Mysore Associ
ation.
Itanaa na mujhase tu pyaar badhaa
Ke mai ek baadal aavaaraa
Kaise kisi kaa sahaaraa banun
Ke mai khud beghar bechaaraa
Is liye tujhase pyaar karu
Ke tu ek baadal avaaraa
Janam janam se hu saath tere
Ke naam meraa jal ki dhaaraa
Itanaa na mujhase tu pyaar badhaa
Ke mai ek baadal aavaaraa
Janam janam se hu saath tere
Ke naam meraa jal ki dhaaraa
Mujhe ek jagah aaraam nahi
Ruk jaanaa meraa kaam nahi
Mujhe ek jagah aaraam nahi
Ruk jaanaa meraa kaam nahi
Meraa saath kahaa tak dogi tum
Mai desh videsh kaa banjaaraa
Itanaa na mujhase tu pyaar badhaa
Ke mai ek baadal aavaaraa
Kaise kisi kaa sahaaraa banun
Ke mai khud beghar bechaaraa
Is liye tujhase pyaar karu
Ke tu ek baadal avaaraa
Janam janam se hu saath tere
Ke naam meraa jal ki dhaaraa
O nil gagan ke divaane
Tu pyaar na meraa pahachaane
O nil gagan ke divaane
Tu pyaar na meraa pahachaane
Mai tab tak saath chalun tere
Jab tak na kahe tu mai haaraa
Is liye tujhase pyaar karu
Ke tu ek baadal avaaraa
Janam janam se hu saath tere
Ke naam meraa jal ki dhaaraa
Itanaa na mujhase tu pyaar badhaa
Ke mai ek baadal aavaaraa
Kaise kisi kaa sahaaraa banun
Ke mai khud beghar bechaaraa
Kyun pyar mai tu naadan bane
Ek pagal ka armaan bane
Kyun pyar mai tu naadan bane
Ek pagal ka armaan bane
Ab laut ke jaana muskil hai
Maine chhod diya hai jag saara
Itanaa na mujhase tu pyaar badhaa
Ke mai ek baadal aavaaraa
Janam janam se hu saath tere
Ke naam meraa jal ki dhaaraa.
Song from movie Chhaya (1961) starring, Sunil Dutt, Asha Parekh, Nirupa Roy, Lalita Pawar, Nazir Husain, Asit Sen. Director:
CC
https://www.youtube.com/watch?v=87CcAeWkeiw
Song from movie Chhaya (1961) starring, Sunil Dutt, Asha Parekh, Nirupa Roy, Lalita Pawar, Nazir Husain, Asit Sen. Director:
SEE LIVE PERFORMANCE OF GREAT MAN "TALAT MAHMOOD"
bombaymann2.blogspot.com/2015/07/film-chhaya-1961.html
Chhaya - News | Actors| Song Videos | Watch Movies - MuVyz. muvyz.com/moviepage/cr484336/jukebox/.
Complete information on bollywood movie: Chhaya Star cast, Movie
Rating, Reviews, Plot, Screenshots, Song listing, Trailer, Watch Movie
link ... Chhaya (1961).
Starring: Sunil Dutt, Asha Parekh, Nirupa Roy Director: Hrishikesh Mukherjee Writers: Sachin Bhowmick Country: India Language:
Song from
movie Chhaya (1961) starring, Sunil Dutt, Asha Parekh, Nirupa Roy, Lalita Pawar, Nazir Husain, Asit Sen. Director:
CC
Chhaya Hindi Movie | All Songs Collection | Sunil Dutt, Asha Parekh | Old is Gold Super hit songs collection of
movie Chhaya (1961)
Chhaya is a Hindi
film directed by Hrishikesh Mukherjee. It was released in
1961. The star cast include Sunil Dutt and Asha Parekh.
https://madhulikaliddle.com/2009/06/30/chhaya-1962/
Jun 30, 2009 - Asha Parekh is, as always, beautiful. But this is Sunil Dutt's film (I'm a woman, hey! And straight, may I add). He is so absolutely mind-bogglingly handsome in Chhaya: just look: Sunil Dutt in Chhaya. The music. There aren't too many songs, but they're lovely, especially Itna na mujhse tu pyaar badhaa. Okay ..
Like
Sujata,
Chhaya is the story of a girl brought up in the house of someone she’s not related to. Like
Sujata, it stars Sunil Dutt (and looking gorgeous, too!), and like
Sujata, it’s got great music. Also like
Sujata, it was directed by a Bengali director: Hrishikesh Mukherjee in this case.
That’s where the resemblance ends, because Mukherjee makes
Chhaya a less poignant, less socially relevant film than Bimal Roy made of
Sujata. Where
Sujata focussed on the understated emotion of a family and a `daughter who’s not quite one’,
Chhaya focuses on a mother who’s forced by circumstances to yield up her child to another.
Shyamlal (Krishan Dhawan) is poor and unemployed. He’s just been told
by the doctor that though Shyamlal’s little daughter Munni has
recovered from a recent illness, Shyamlal’s wife Manorama (Nirupa Roy)
is `ill on the inside’ (Huh? The doctor doesn’t say what’s wrong, and
we’re never enlightened either). Shyamlal, who loves Manorama deeply,
tries to persuade her to take Munni and go live with her uncle in
Lucknow until Shyamlal gets a job, but Manorama refuses.
Shyamlal’s luck soon turns; he finds employment, and is thrilled to
bits. With his first salary, he buys fruit, medicine for Manorama, and
balloons for Munni. While he’s skipping merrily home, crossing the road
without a care, there’s a screech of tires and then we see the balloons
lifting up into the sky. Oh dear.
Manorama has no option now but to take Munni to Lucknow.
Remember that bit in
Hamlet about “When sorrows come, they
come not single spies, but in battalions”? Manorama gets a taste of
that. The uncle’s dead and gone. The man who now lives in his house has
no wish to give Manorama shelter. Passing goons ogle her. She stops
lactating (that `illness on the inside’, no doubt).
Finally, Manorama becomes so desperate, she sneaks up to a grand mansion
and leaves Munni on the doorstep, hoping at least her baby will get
taken care of. (Isn’t this rather drastic? What if a wealthy lecher
lives here? What if it’s home to a shrew who’ll make the baby scrub the
floors as soon as she’s able? Hasn’t Manorama seen any Hindi films,
ever?)
Anyway, luck’s on their side. The widowed and childless owner of the
mansion is a wealthy seth called Jagatnarain (Nasir Hussain). He takes
pity on the baby, and since he’s leaving Lucknow to live in Bombay,
decides to take her along and pass her off as his own offspring.
Fortunately for Manorama, when he sees her at the gate the next day, he
hires her to be his new daughter’s
ayah.
So Manorama goes off to Bombay with Jagatnarain and the baby, whom
Jagatnarain has named Sarita. In Bombay, Jagatnarain’s long-lost cousin
(Lalita Pawar) turns up along with her son Lali, begging Jagatnarain to
take them under his wing—which he does, to Manorama’s disadvantage,
since the old woman takes an immediate dislike to Manorama.
Jagatnarain, however, thinks highly of Manorama and insists she stay on as Sarita’s
ayah.
Manorama, good woman that she is (and how I hate these syrupy,
self-sacrificing, tolerant types!), doesn’t bat an eyelid at the old
woman’s haranguing. Instead, as the years pass, whenever Sarita (now
Baby Farida) and Lali (now Mohan Choti) criticise Lali’s mother,
Manorama admonishes them.
Before we know it, Sarita’s grown up (into a radiant Asha Parekh) and
has been gifted a piano by her proud father. She has to learn how to
play it, of course—and she also needs a tutor for her studies. An ad’s
duly inserted in the newspaper, specifying that they need an old man for
a tutor (this at the request of Manorama, who probably feels a young
man will spend more time gawping at Sarita than teaching her. Why an old
man
wouldn’t, I don’t know).
Lali’s mother puts in her two cents by saying that her brother-in-law’s
son Ramu, now calling himself Romeo, has just returned from abroad and
can be hired to teach Sarita the piano.
A part of the advertisement, in a torn newspaper, ends up in the
hands of a penniless poet, Arun Kumar (Sunil Dutt). Arun lives with two
sisters (the elder, widowed one is Achla Sachdev). His nom de plume is
`Raahi’, and egged on by his friend `Dard’ (Asit Sen), he decides the ad
is his chance to finally get a job.
Arun arrives at Sarita’s, and since he isn’t old, she mistakes him
for a piano tutor. The rigmarole gets sorted out, and all concerned feel
that even though he isn’t old, he’s so obviously
shareef,
their darling will be in safe hands. Arun starts teaching Sarita, and
soon they’re on good terms. Not in love, though, since it transpires
that Sarita is besotted by the famous poet Raahi, whose poetry she
adores, even though she’s never met the man.
For no particularly logical reason (except that this is a common
course of action in Hindi cinema), Arun decides to dupe Sarita into
believing that he and Raahi are two different people. He tells her that
Raahi’s a friend of his, a fat and ugly fellow whose only saving grace
is his poetry—which, says Arun, is anyway not as good as Arun’s. Sarita
has read all of Raahi’s collections of poetry and is very vocal in her
defence of the poet. The fact that he’s had so many books published, and
they’ve all been hits, makes me wonder if Arun’s publisher’s been
fiddling the books. Who’s getting the royalties?
An illusional romance blossoms between Arun/Raahi and Sarita. Sarita
gets a friend of hers, who’s a sister to one of Raahi’s acquaintances,
to take her to meet the poet—and Arun, who sees Sarita arrive, quickly
lays down a stipulation: Raahi will talk to her but from behind a closed
door. She mustn’t see his face. They sing a lovely duet (
Itna na mujhse tu pyaar badhaa), and Sarita seems quite happy to be falling for a man whom I would’ve classified at least as mysterious, if not deranged.
Sarita asks Raahi—still behind the door—if he’ll respond should she
write to him. He agrees, but says she must write her letters in verse.
And guess whom Sarita turns to, to help her draft a poem to the poet?
To cut a long story short, Sarita’s well and truly in love with
Raahi, and Arun/Raahi is certainly nuts about her. But one evening,
Sarita goes to the cinema with Romeo, and sees Arun sitting there with a
girl (Arun’s sister). Sarita gets mad and flounces out of the cinema,
and when Arun arrives at her birthday party the next day, spurns him
too, leaving him to sing the soulful
Aansoo samajhke kyon mujhe. What could this
mean?
[Aside: In this screen cap, the extra sitting on the far left is wearing a natty suit and tie, with
chappals.]
We all know, of course, what it means, and it’s not long before all
and sundry do too. And that’s when all the trouble starts, because Arun
is so poor (those stolen royalties, I’m guessing) and Sarita is so rich…
What I liked about this film:
Sunil Dutt. Asha Parekh is, as always, beautiful. But this is Sunil
Dutt’s film (I’m a woman, hey! And straight, may I add). He is so
absolutely mind-bogglingly handsome in
Chhaya: just
look:
The music. There aren’t too many songs, but they’re lovely, especially
Itna na mujhse tu pyaar badhaa. Okay, Mozart should probably get credit for that, but Salil Choudhary did a good adaptation. You need talent to be inspired.
What I didn’t like:
Somehow the film didn’t seem cohesive to me. The Arun-Sarita romance is
sweet, despite Arun’s pretending not to be Raahi, and should (I think)
have been made the focus of the film. Which it is, to some extent, but
there are just too many distractions. The presence of Lali, his mother
(whose motives seem utterly mysterious in places; maybe she’s just too
irrevocably nasty) and the irritating Ramu-Romeo, seem unnecessary. Then
there’s Achla Sachdev, usually a fairly good actress, who gets left by
the wayside with only a couple of scenes to her credit.
This isn’t a bad film. It’s formula, generally light-hearted but with
some sad turns that you know will turn out all right. There’s plenty of
eye candy and the music’s good. But I’d have expected better from
Hrishikesh Mukherjee. There was so much scope to explore the emotional
relationship between Sarita and Manorama, but
Chhaya doesn’t venture deep enough: there are some unsubtle dialogues, a few ham-handed scenes, but that’s it.
A word of caution:
Don’t see the T-Series version of this film. I rented the VCD, and it’s
obviously been badly edited by T-Series: bits and pieces of dialogue
simply disappeared in the middle of a scene, leaving me to do some smart
detective work to figure out what was happening.
https://timesofindia.indiatimes.com › News › Sunil Dutt: Beyond the limelight
Dec 8, 2002 - But come trial or tribulation, Sunil Dutt has taken the uneven odds of destiny in his stride. ... At times, it was so hot inside that we slept on the footpath. ... I fell for Nargis' compassion: I was asleep at a friend's house when I was woken up and told that Mehboob saab wanted me to act in Mother India. Whensunil dutt had to sleep on foot path;
"Ke mai khud beghar bechaaraa"
and struggled a lot till Nargis married him after he saved her from fire in Mother India
https://www.thequint.com/bollywood/2017/05/25/sunil-nargis-dutt-love-and-life
May 25, 2017 - ... was triggered by a fatal fire on the sets of Mother India in 1957, where Sunil Dutt sensing danger, jumped into raging flames without a thought for his own life to save Nargis and won her heart. She visited him every day at the hospital after shooting and a few weeks later, when he proposed marriage to her ...
photogallery.indiatimes.com › Celebrity Photos › Celeb Themes Photos
Sep 29, 2015 - Sunil Dutt and Nargis's love story was just like a movie scene when Sunil Dutt saved her from fire accident during the film shoot of Mother India. They got married in the year 1958, and had three children together. Nargis died at age of fifty-one due to pancreatic cancer, whereas Sunil Dutt died of heart attack.
https://www.hindustantimes.com/...mother-india...nargis.../story-W4aHTQUeVvoNIIO...
Oct 25, 2011 - But Mehboob Khan's immortal celluloid classic catapulted actress Nargis into the role of Mother India – an image that survives her even 28 years after her death. Some critics ... In the film the character portrayed by Nargis was trapped inside a raging fire while her son, Sunil Dutt, tried saving her. But
the ...
Song-
Itna na mujhse tu pyaar badha .. Film -Chhaya (1961) Singer- Talat Mahmood,Lata, Lyrics- Rajinder Krishan, Music Director-
============================================
I LIKE THIS SINGER THOUGH HE IS NOT A PROFESSIONAL SINGER
An
old Gujarati couple, male of which was in a renowned orchestra like
Shantaram and Hemant Kumar in past, is in the worst phase
itna na mujse to
pyar.
even if GOD himself comes dressed as a singer or beggar people never helps or recognise him; but is ready to pay billions on pilgrimage
.............
................................................................................
https://timesofindia.indiatimes.com/.../youtube-video-of-manipuri-man-singing-reunit...
6 hours ago - IMPHAL/MUMBAI: A man who had vanished from Imphal 40 years ago was traced to Bandra last week, all thanks to a video of him singing an old Hindi film .
www.thehindu.com/news/national/youtube...manipur-man.../article23562462.ece
15 hours ago - A video uploaded on YouTube by a Mumbai-based street photographer has helped a family in Manipur's capital Imphal locate a member who had ... Our team should be able to reunite him with his family here within two-three days,” Themthing Ngashangva, senior superintendent of police of Imphal West ...
YouTube helps trace Manipur man lost for 40 years
Rahul Karmakar
GUWAHATI,
April 16, 2018 19:41 IST
Updated:
April 16, 2018 22:18 IST
A photo of Khomdram Gambhir, right, posted by the Mumbai police.
A video uploaded on YouTube by a Mumbai-based street photographer has
helped a family in Manipur’s capital Imphal locate a member who had
disappeared 40 years ago.
Khomdram Kulachandra, a daily wager, is
scheduled to fly to Mumbai on Tuesday to bring back his elder brother
Khomdram Gambhir. A couple of Manipur police officers will accompany
him.
“We have been coordinating with our counterparts in Bandra
West area of Mumbai since Gambhir’s identity was established. Our team
should be able to reunite him with his family here within two-three
days,” Themthing Ngashangva, senior superintendent of police of Imphal
West district, told The Hindu on Monday.
Mr. Gambhir,
members of his family said, had retired voluntarily after serving in
Manipur Rifles for seven years. He was believed to have gone into a
depression after a disastrous marriage.
Mr. Kulachandra said his
brother, the eldest of six siblings, left their home in Imphal’s Khumbom
Mamang locality in 1978. He was believed to have surfaced in Mizoram a
year later, but a search had proved futile.
Accidental viewing
A Mumbai-based photographer named Feroze had uploaded a video on
Gambhir on October 17 last year. An assistant professor of North East
Regional Institute of Science and Technology in Arunachal Pradesh saw
the video accidentally while browsing through YouTube a few days ago.
“He
informed one of our friends about the video featuring a person in his
mid-sixties with Manipuri features singing and begging on the streets of
Mumbai. The video, circulated through social media, reached his family
two days ago,” Atom Samarendra, a Central government employee, said.
“I
could not believe my eyes when one of my nephews showed me the video
footage. We had lost all hope of seeing him alive again,” Mr.
Kulachandra said.
Mr. Samarendra said the locals raised money for Mr. Kulachandra’s flight to Mumbai to bring back his brother.
These people needs help
I LIKE THIS SINGER THOUGH HE IS NOT A PROFESSIONAL SINGER
An
old Gujarati couple, male of which was in a renowned orchestra like
Shantaram and Hemant Kumar in past, is in the worst phase
to
pyar.
even
if GOD himself comes dressed as a singer or beggar people never helps
or recognise him; but is ready to pay billions on pilgrimage
4:35
