Tuesday, August 26, 2014

Ye Mera Prem Patra Padhkar-Anil Bajpai performing




Directed byRaj Kapoor
Produced byRaj Kapoor
Written byInder Raj Anand
StarringVyjayanthimala
Raj Kapoor
Rajendra Kumar
Narrated byRaj Kapoor
Music byShankar Jaikishan
CinematographyRadhu Karmakar
Edited byRaj Kapoor
Production
  company
Mehboob Studio
Filmistan
Distributed byR. K. Films
Release date(s)
  • 1 January 1964
Running time238 minutes
CountryIndia
LanguageHindi



meharbaan likhu, hasina likhu ya dilruba likhu hairan hu ki aapko is khat me kya likhu ye mera prempatra padh kar ke tum naraz na hona ki tum meri zindagi ho, ki tum meri bandagi ho ye mera prempatra padh kar ke tum naraz na hona ki tum meri zindagi ho, ki tum meri bandagi ho tujhe mai chanda kahta tha magar usme bhi daag hai tujhe mai chanda kahta tha magar usme bhi daag hai tujhe suraj mai kahta tha magar usme bhi aag hai tujhe itna hi kahta hu ki mujhko tumse pyaar hai tumse pyaar hai, tumse pyaar hai ye mera prempatra padh kar ke tum naraz na hona ki tum meri zindagi ho, ki tum meri bandagi ho tujhe ganga mai samjhunga, tujhe jamuna mai samjhunga tujhe ganga mai samjhunga, tujhe jamuna mai samjhunga tu dil ke paas hai itni tujhe apna mai samajhunga agar mara jaau ruh bhatakegi tere intzar me intzar me, intzar me ye mera prempatra padh kar ke tum naraz na hona ki tum meri zindagi ho, ki tum meri bandagi ho ye mera prempatra padh kar ke tum naraz na hona ki tum meri zindagi ho, ki tum meri bandagi ho



Yeh Mera Prem Patra Padhkar Ke Tum Naraz 
4.36 - 266 votes
Mohammad RafiShankar JaikishanHasrat JaipuriSangam (1964)Rajendra Kumar,Vyjayantimala
Video Playlist of all the songs of this movie from youtubeAdvertisements
Dost Dost Na Raha Pyar Pyar Na Raha 
4.23 - 171 votes
MukeshShankar JaikishanShailendraSangam (1964)Raj Kapoor,Vyjayantimala,Rajendra Kumar
Har Dil Jo Pyar Karega, Voh Gana Gayega 
4.11 - 148 votes
Mahendra Kapoor,Mukesh, Lata MangeshkarShankar JaikishanShailendraSangam (1964)Vyjayantimala,Rajendra Kumar,Raj Kapoor
O Mere Sanam O Mere Sanam 
4.38 - 86 votes
Lata Mangeshkar,MukeshShankar JaikishanShailendraSangam (1964)Raj Kapoor,Rajendra Kumar,Vyjayantimala
Mere Man Ki Ganga Aur Tere Man Ki Jamuna Ka 
4.04 - 68 votes
Vijayanthimala,MukeshShankar JaikishanShailendraSangam (1964)Vyjayantimala, Raj Kapoor
Main Kya Karun Ram Mujhe Buddha Mil Gaya 
3.93 - 94 votes
Lata MangeshkarShankar JaikishanHasrat JaipuriSangam (1964)Vyjayantimala, Raj Kapoor
O Mahabubaa Tere Dil Ke Paas Hi Hai 
4.42 - 45 votes
MukeshShankar JaikishanHasrat JaipuriSangam (1964)Raj Kapoor,Vyjayantimala,Rajendra Kumar
I Love You (Ich Liebe Dich) 
4.43 - 14 votes
Vivian LoboShankar JaikishanInfo NASangam (1964)Vyjayantimala, Raj Kapoor

Legend / symbol used on this page

The original video of this song is available from youtube.

Only audio (no video) of this song is available from youtube.

Lyrics of this song is available in Englsih Transliteration.

No Lyrics are available right now. The lyrics will be added in due course.

Lyrics of this song is also available in Hindi.

Average rating of songs and number of votes by visitors of HindiGeetMala.


Sangam (1964)
Film cast:Raj Kapoor, Vyjayantimala, Rajendra Kumar, Amod Mehra, Raj Mehra, Nana Palsikar, Iftekhar, Lalita Pawar, Achla Sachdev
Singer:Lata Mangeshkar, Mahendra Kapoor, Mohammed Rafi, Mukesh
Lyricist:Hasrat Jaipuri, Shailendra
Music Director:Shankarsinh Raghuwanshi, Jaikishan Dayabhai Pankal
Film Director:Raj Kapoor
Film Producer:Raj Kapoor
External Links:Sangam at IMDB    Sangam at Wikipedia



Plot summary

Sundar (Raj Kapoor), Gopal (Rajendra Kumar) and Radha (Vyjayantimala) have been friends since childhood. As they grow into adults, Sundar develops an obsessive romantic attraction to Radha, but she prefers Gopal, who is also in love with her. Yet, as Sundar has confided his feelings for Radha to him, Gopal decides to sacrifice his love for his friend’s sake. Radha systematically resists Sundar’s overtures, but to no avail. For him, she is the only woman in the world. Matching Sundar’s great love for Radha is his unswerving devotion to his friendship with Gopal.
Eventually, Sundar enlists in the Indian Air Force and is assigned to a military mission in Kashmir. Before leaving, he extracts a promise from Gopal, whom he trusts implicitly, never to let any man come between Radha and himself while he is away. Subsequently, Sundar’s airplane is shot down over Kashmir. He is listed as MIA and presumed dead. This news saddens Radha and Gopal, but they are nonetheless now free to profess their love for one another. Among other expressions of love, Gopal writes her an unsigned prem patra (love letter) which touches her particularly and which she hides away. Just when they begin taking steps to be married, Sundar returns, safe and sound. The self-effacing Gopal sacrifices himself once more, stepping back into the shadows, watching as the reborn Sundar resumes his wooing of Radha. Inevitably, the two marry.
After the couple returns from an extended European honeymoon, Sundar is deliriously happy. His life’s dream has been realised. Radha is resolved to be faithful to her husband and to put Gopal out of her mind. She privately asks him to stay away from her and Sundar because of the torture his presence causes her. Sundar’s devotion to Gopal, however, is such that he constantly tries to draw him into their life, much to Radha’s chagrin. The perfection of their marital bliss is, however, shattered when Sundar accidentally discovers the unsigned love letter Gopal had written to Radha. Sundar is thunderstruck, and assumes that Radha has been unfaithful to him. Producing a pistol, he demands she divulge the name of the supposed lover and threatens to kill the man, but she refuses.
In the days that follow, Sundar becomes obsessed with discovering the identity of the letter's author and cannot return to normalcy. Radha’s life becomes miserable, lived out against the incessant drama of Sundar’s jealousy, threats, anger and fixation with the letter. Eventually unable to bear the wretchedness of her existence with Sundar any further, Radha flees to Gopal for help. Sundar takes the same route, unaware that Radha has gone to Gopal’s house. There, matters come to a head. The overwrought Gopal admits his authorship of the infamous letter to Radha, an admission which almost destroys his friend. Gopal, perceiving no exit from the impasse at which the three have arrived, kills himself with Sundar’s pistol. Radha and Sundar are finally reunited - in mourning.

Cast


Sajan Re Jhuuth Mat Bolo-Mukhtar Shah performing





Teesri Kasam
Teesrikasam.jpg
Directed byBasu Bhattacharya
Produced byShailendra
Written byPhanishwar Nath Renu(Dialogue)
Screenplay byNabendu Ghosh
Based onTeesri Kasam Urf Maare Gaye Gulfam
by Phanishwar Nath Renu
StarringRaj Kapoor
Waheeda Rehman
Iftekhar
Asit Sen
Dulari
Keshto Mukherjee
C.S. Dubey
Music byShankar-Jaikishen
CinematographySubrata Mitra
Release date(s)1966
Running time159 min
LanguageHindi


sajan re jhooth mat bolo, khudaa ke paas jaanaa hai na haathi hai naa ghodaa hai, wahaan paidal hi jaanaa hai sajan re jhooth mat bolo, khudaa ke paas jaanaa hai na haathi hai naa ghodaa hai, wahaan paidal hi jaanaa hai sajan re jhooth mat bolo tumhaare mahal chaubaare, yahin rah jaayenge saare tumhaare mahal chaubaare, yahin rah jaayenge saare akad kis baat ki pyaare akad kis baat ki pyaare, ye sar phir bhi jhukaanaa hai sajan re jhooth mat bolo, khudaa ke paas jaanaa hai bhalaa keejai bhalaa hogaa, buraa keejai buraa hogaa bhalaa keejai bhalaa hogaa, buraa keejai buraa hogaa bahi likh likh ke kyaa hogaa bahi likh likh ke kyaa hogaa, yahin sab kuchh chukaanaa hai sajan re jhooth mat bolo, khudaa ke paas jaanaa hai ladakpan khel mein khoyaa, jawaani neend bhar soyaa ladakpan khel mein khoyaa, jawaani neend bhar soyaa budhaapaa dekh kar royaa budhaapaa dekh kar royaa, wahi kissaa puraanaa hai sajan re jhooth mat bolo, khudaa ke paas jaanaa hai na haathi hai naa ghodaa hai, wahaan paidal hi jaanaa hai sajan re jhooth mat bolo, khudaa ke paas jaanaa hai

Sajan re jhoot mat bolo
Khudaa ke paas jaana hai
Na haathi hai na ghoda hai
Wahan paidal hi jaana hai
Sajan re jhoot mat bolo...
Sweetheart, don't tell lies
Because eventually, you'll have to show your face before God
There are no elephant or horse carriages up there
You can only walk there
Don't tell lies sweetheart....


Tumhaare mahal chaubaare
Yahin reh jaayenge saare
Akad kis baat ki pyaare
Yeh sar phir bhi jhukaana hai
Sajan re jhoot mat bolo, khuda ke paas jaana hai
You may have big palaces now,
But you will have to leave those here
Why do you bother to hold up your ego in pride
When you eventually will have to bow your head
Sweetheart, don't tell lies; you will eventually have to face God.

Bhalaa kije bhalaa hoga
Buraa kije buraa hoga
Wahi likh-likh ke kya hoga
Yahin sab kuch chukaana hai
Sajan re jhoot mat bolo, khudaa ke paas jaana hai
If you are good, then you will be rewarded.
If you are bad, then bad will come back to you.
What's the point in keeping track of these matters now
When you have to eventually pay your dues
Sweetheart, don't tell lies; you will be facing God someday

Ladakpan khel mein khoya
Jawaani neend bhar soya
Budhaapa dekhar roya
Wohi kissa puraana hai
Sajan re jhoot mat bolo khuda ke paas jaana hai
I spent my childhood playing
My youth was spent sleeping
And old age saw this and cried
That this is the same old story
Sweetheart, don't tell lies; you will have to come before God some day.



Song HeadingSinger(s)Music DirectorLyricistMovie / AlbumActor(s)
Sajan Re Jhoot Mat Bolo Khuda Ke Paas Jana 
4.36 - 184 votes
MukeshShankar JaikishanShailendraTeesri Kasam (1966)Waheeda Rehman,Raj Kapoor
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Duniyaa Banaane Vaale, Kyaa Tere Man Men Samaai 
4.42 - 78 votes
MukeshShankar JaikishanShailendraTeesri Kasam (1966)Raj Kapoor
Preet Bana Ke Tune Duniya Banane Wale Kahe Ko 
4.39 - 89 votes
Suman KalyanpurShankar JaikishanHasrat JaipuriTeesri Kasam (1966)
Paan Khaye Saiyan Hamaro 
4.33 - 60 votes
Asha BhosleShankar JaikishanShailendraTeesri Kasam (1966)Raj Kapoor,Waheeda Rehman
Chalat Musaafir Moh Liyo Re Pinjade Vaali Muniyaa 
4.26 - 23 votes
Manna DeyShankar JaikishanShailendraTeesri Kasam (1966)Krishan Dhawan,Raj Kapoor,Waheeda Rehman
Rahegaa Ishq Teraa, Aa Aa Bhi Jaa Raat Dhalane Lagi 
4.36 - 11 votes
Lata MangeshkarShankar JaikishanShailendraTeesri Kasam (1966)Raj Kapoor,Waheeda Rehman
Sajanavaa Bairi Ho Gaye Hamaar 
4.00 - 11 votes
MukeshShankar JaikishanShailendraTeesri Kasam (1966)Waheeda Rehman,Raj Kapoor
Haay Gajab Kahee Taara Tuta
3.91 - 11 votes
Asha BhosleShankar JaikishanShailendraTeesri Kasam (1966)
Laali Laali Doliyaa Men Laali Re Dulhaniyaa 
3.33 - 12 votes
Asha BhosleShankar JaikishanShailendraTeesri Kasam (1966)Waheeda Rehman,Raj Kapoor
Kissa Hota Hai Shuru Paaki Ishq Rangin, Naam Amir (part 1) 
4.00 - 3 votes
Shankar ShambhuShankar JaikishanInfo NATeesri Kasam (1966)
Maare Gaye Gulafaam Aji Haan 
4.00 - 2 votes
Lata MangeshkarShankar JaikishanHasrat JaipuriTeesri Kasam (1966)Waheeda Rehman,Raj Kapoor

Legend / symbol used on this page

The original video of this song is available from youtube.

Only audio (no video) of this song is available from youtube.

Lyrics of this song is available in Englsih Transliteration.

No Lyrics are available right now. The lyrics will be added in due course.

Lyrics of this song is also available in Hindi.

Average rating of songs and number of votes by visitors of HindiGeetMala.


Teesri Kasam (1966)
Film cast:Raj Kapoor, Waheeda Rehman, Asit Sen, Iftekhar, Dulari, Dubey, Krishan Dhawan
Singer:Lata Mangeshkar, Mukesh, Asha Bhosle, Manna Dey
Lyricist:Shailendra, Hasrat Jaipuri
Music Director:Shankar Jaikishan
Film Director:Basu Bhattacharya
External Links:Teesri Kasam at IMDB    Teesri Kasam at Wikipedia



Synopsis

The plot centers on Hiraman, a rustic villager from a remote village in Araria (Bihar), who drives a bullock cart to earn his livelihood. The story begins with Hiraman taking two consecutive vows based on difficult situations in his life. He then meets a nautanki dancer named Hirabai. The story then evolves into one of the friendship between a bullock cart driver and an urban nautanki dancer. The movie, finally, ends with Hiraman taking a third vow.
Hiraman (Raj Kapoor) is a bullock cart driver with conservative traditional values. While smuggling illegal goods on his bullock cart and narrowly escaping the police, Hiraman takes a vow (the first Kasam) to never carry illegal goods again in his cart. While subsequently transporting bamboo for timber trader on his bullock cart, he is beaten by two men when their horses are upset by the bamboo in the cart. After that incident, Hiraman takes another vow (the second Kasam) to never carry bamboo again in his cart.
One night Hiraman is asked to carry Hirabai (Waheeda Rehman), a nautanki dancer, as a passenger to a village fair 40 miles away. As they travel together Hiraman sings to pass the time and tells her the story of the legend of Mahua. As the journey progresses, Hirabai is mesmerized by Hiraman's innocence and his simple philosophy of life. Hiraman in return sees her as an angel of purity.
Once they reach the village fair, Hiraman joins with his band of bullock cart drivers and Hirabai joins the nautanki company. Hirabai asks Hiraman to stay at village fair for a few days to see her dance. Hirabai arranges free passes for Hiraman and his friends to see nautanki on every night as long as village fair runs.
As Hiraman attends nautanki, he becomes aware that other people see her as a prostitute, which disturbs him. He tries to shield and protect her from society. The bond between two grows stronger as the days pass at the fair. He gets involved in fights with local people who speak badly about her and her profession. Hirabai tries to make him understand the harsh reality of her life. Hiraman asks her to leave her profession and start living a respectable life. Hirabai refuses to leave her acting career. Depressed, Hiraman leaves village fair and returns to his village.
In the mean time, Hirabai understands Hiraman's unselfish love. Hirabai meets Hiraman and reveals her past secret that she had been already sold and she was no longer a virgin beauty. Hirabai returns to her hometown. After seeing Hirabai going away from his life, Hiraman takes third vow (teesri Kasam) to never carry a nautanki company dancer again in his cart.

Cast


1988 – The show must go on


India had to say goodbye to yet another stalwart of Indian cinema this year, with Raj Kapoor’s death. Branded as the showman of the millennium, Raj Kapoor had no cinematic equal, though many aspired to (unsuccessfully) walk in his shoes. Hailing from a family of thespians, this controversial actor-filmmaker was responsible for the blossoming of the careers of many leading ladies, literally and figuratively, and had the gumption to stray into uncharted territories of brazen intimacy and nudity on the silver screen. His death ended what many saw as an unapologetic era in Indian cinema, and no Kapoor since then has been able to make the merest speck of a mark as Raj did during his glorious reign.