| Asli-Naqli | |
|---|---|
 | |
| Directed by | Hrishikesh Mukherjee |
| Produced by | L B Lachmana L B Thakur |
| Written by | Inder Raj Anand |
| Starring | Dev Anand Sadhana Shivdasani,Nazir Hussain |
| Music by | Shankar Jaikishan |
| Cinematography | Jaywant Pathare |
| Edited by | Dad Dhaimade |
| Release date(s) | 1962 |
| Country | India |
| Language | Hindi |
rafi: tujhe jivan ki dor se, baadh liyaa hai, baadh liyaa hai tere zulmo-sitam, sar aankho par lataa: maine badale me pyaar ke, pyaar diyaa hai, pyaar diyaa hai teri khushiyaan aur gam, sar aankho par rafi: tujhe jivan ki (apsaraa koi aae to dekhun nahi koi bahakaaye hasake to bahakun nahi ) - 2 tore matavaare naino ne, jaadu kiyaa o tore matavaare naino ne, jaadu kiyaa teri ulfat sanam sar aankho par lataa: maine badale me pyaar ke, pyaar diyaa hai, pyaar diyaa hai teri kushiyaan aur gam, sar aankho par (mere jivan ki anamit kahaani hai tu meri taqadir aur zidagaani hai tu ) - 2 liye firate hai sabase chhupaaye hue o liye firate hai sabase chhupaaye hue teri tasavir ham sar aankho par rafi: tujhe jivan ki dor se, baadh liyaa hai, baadh liyaa hai tere zulmo-sitam, sar aankho par (dono): tujhe jivan ki dor se, baadh liyaa hai, baadh liyaa hai tere zulmo-sitam, sar aankho par
| Song Heading | Singer(s) | Music Director | Lyricist | Movie / Album | Actor(s) |
| Tera Mera Pyar Amar, Phir Kyo Mujhko Lagta Hai Dar | Lata Mangeshkar | Shankar Jaikishan | Shailendra | Asli Naqli (1963) | Sadhana, Dev Anand |
| Video Playlist of all the songs of this movie from youtube | Advertisements |
Legend / symbol used on this page |
 Asli Naqli (1963) |
|
The Story: Dev Anand plays the role of a rich heir spoilt by his grand father (played by Nazir Hussain) and leaves his house to seek employment under the guise of an unemployed, uneducated youth. Sadhana takes pity on him and helps in his employment. Sadhana works herself to support her mother and her family, and she hides the fact that her father has died in Africa.
The film gives the message that wealth is not everything and being rich does not give one happiness. On the other hand poor people with their limited means find ways and means to live a life of happiness with compassion. Dev Anand through his adventure discovers life and in the end is reconciled with his grand father.
Renu lives a poor lifestyle with her mom, dad and a brother. Her dad decides to travel to Africa so that he can earn enough money to send his son to study engineering, so that he can find employment abroad. But fate has other plans when one day Renu's brother returns home sick from college, and shortly thereafter passes away. His shocked father books a seat on a plane to attend his son's funeral, but the plane crashes killing everyone on board. Shattered and devastated, Renu decides to hide her dad's death from her ill and fragile mom, and goes along pretending that her father is still alive. She obtains employment and through her earnings convinces her mom that her dad is regularly sending money. Then things brighten up when a homeless young man, Anand, enters her life, both fall in love with each other and want to get married. But once again fate plays a cruel joke on Renu as she subsequently finds out that Anand is not who he claims to be...Highlights: There is a scene in which Nazir Hussain praises the workmanship of an artifact to Dev Anand when the latter is disturbed. The same scene would be repeated by Hrishikesh Mukherjee in the film Namak Haram (1973) between Om Shivpuri and Amitabh Bachchan.
In this film, in a lone scene, Motilal, the character actor gives a brilliant performance by advising Dev Anand to let things go, rather than to control them. He asks Dev Anand in the club to hold sands in his palm and tells him, "If you would try to hold on to the sands, these would escape through your fingers. But if you keep your palm open, they would stay undisturbed."
