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Live performance by Shrikant
Pargaonkar and Sangeeta Melekar at the Klub Nostalgia show to pay a
Musical Tribute to Talat Mehmood on 18th May 2012 at Tejpal.
Tim Tim Tim
Live performance by Shrikant Pargaonkar and Sangeeta Melekar at the Klub Nostalgia show to pay a Musical Tribute to Talat ...
Tim Tim Tim Taron ke deep jale
Genres:Drama
Navrang : Lyrics and video of Songs from the Movie ...
hindigeetmala.net/movie/navrang.htm
Lyrics and video of songs from Movie / Album : Navrang (1959); Music by: C Ramachandra; ... Song Heading, Singer(s), Music Director, Lyricist, Movie / Album, Actor(s) ... Film cast: Mahipal, Sandhya, Agha, K Date, Vandana, Ulhas, VatsalaReshma - IMDb
www.imdb.com/name/nm2571532/
Reshma, Actress: Parchhaiyan. Reshma is an actress, known for Parchhaiyan (
K. Date[keshav rao date](1889–1971)-----------------
VASANT DESAI----------(1912–1975)
SUMATI GUPTE RAMESH DEO Tim Tim Tim Taron ke deep jale- Mausi
talat,lata Bharat Vyas Vasant
Patcy N in Mumbai
Character
actor Ramesh Deo has acted in more than 100 Hindi films in his long
career, providing able support to stars like Amitabh Bachchan (Anand), Rajesh Khanna (Aap Ki Kasam), Shatrughan Sinha (Mere Apne) and many more.
His long career, in fact, has lasted for 68 years, and the 87-year-old actor is still quite busy!
Deo
has worked with his wife Seema Deo in many films too. Their sons are a
part of the film industry as well -- Ajinkya is a noted actor in Marathi
cinema while Abhinay has directed films like Game and Delhi Belly.
Ramesh
Deo goes back in time, and talks to Patcy N about his evergreen movies,
working with superstars, and much, much more in this interesting
account of his life's journey so far.
Getting into Hindi films
There
is an interesting reason why I started acting in Hindi films. We were
once returning from a shoot in Ratnagiri when we got a puncture about 80
km from Kolhapur.
(Marathi actors) Seema (Deo),
Raja Paranjpe, Raja Gosavi, Sharad Talwalkar and I got out and went to a
small teashop. We looked dirty as we had been driving a long time and
the roads were bad and there was red mud on our faces and on our car.
We
asked for water and tea. The shop had nice glasses but they gave us
water in aluminium glasses. When we asked for water in good glasses, the
waiter said, "that is for big people only."
Sharad
Talwalkar told him we are all actors in films. The boy in the teashop
said, "You are hero? You come in this dirty car and you call yourself
actors? These are actors," he pointed to a wall with posters of Dilip
Kumar, Raj Kapoor, and Vyayantimala.
I
suddenly realised that just 80 km from my house, no one knows me, but
these people who have come from Peshawar and Madras are known just
because they work in Hindi films.
That is the reason I thought of acting in Hindi films and shifted my base to Mumbai.
Image: Ramesh Deo, then and now
========================================================================
Jillo another actress of that era who used to act mausi in films-----------------------------------------------------------------------------------------------------------------------------story behind Leela misra acting as Mausi (Leela Misra)(1908 – January 17, 1988) Leela Mishra - Wikipedia, the free encyclopediaen.wikipedia.org/wiki/Leela_Mishra[[ Leela Misra was born in Jais, Uttar Pradesh in the year 1908 and got married at the age of 12 to an actor Ram Prasad Mishra.At the age of seventeen she was the mother of two daughters.When she decided to join films as an actress, she was offered roles as heroine but she refused to act in love scenes and thus selected mother roles which proved to be very suitable for her]] Leela Mishra was discovered by a man called Mama Shinde who was working for Dadasaheb Phalke’s Nasik Cinetone. He persuaded her husband to make her work in films. During those days there was a severe scarcity of women actors in films; this was evident in the paychecks that the Mishras received when they went to Nasik for the shooting. While Ram Prasad Mishra was hired on a salary of Rs. 150 per month, Leela Mishra was offered Rs. 500 per month. However, as they fared poorly in front of the camera, their contracts were cancelled. The next opportunity that came their way was an offer to work in the movie Bhikarin which was being produced by a company owned by the Maharaja of Kolhapur. However, Leela Mishra lost out on this opportunity too as the role required her to put her arms round the actor (who was not her husband) while delivering a dialogue, which she point-blank refused to do. She faced a similar problem while working in another film titled Honhaar. She was cast opposite Shahu Modak as a heroine and was supposed to hug and embrace him, which she again refused steadfastly. Since the company was legally in a weak position, they couldn’t turn her out of the film, which proved to be a blessing in disguise for her. She was offered Modak’s mother’s role in the film and it clicked instantly. This opened the doors for her to play mother roles at the young age of 18. ------------------------------------------------------------------------------------------------------------------------------
Prabhat Kumar is an assistant director and director, known for Shahenshah (1988), Jhanak Jhanak Payal Baaje (1955)Mausi (1958) and Mere Apne (1971). See full bio ---------------------------------------------------------------------------------------------------------------------------------
RAJ KAMAL STUDIO -PAREL-[FILM MAUSI 1958 SHOOTING done here]
film original also MAY BE available here
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Thursday, January 21, 2016
TIM TIM TIM TARON KE DEEP JALE
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