bholi surat dil ke khote naam bade aur darashan chhote, darashan chhote bholi surat dil ke khote naam bade aur darashan chhote, darashan chhote o o o naye zamaane ki yeh chhaila, ujle kapade dil hai maila rang-rangi inki thaayi, ghar mein lekin kadki chaayi chorus: kadki chaayi -3 rang-rangi inki thaayi, ghar mein lekin kadki chaayi fashion mein dil mote khote naam bade aur darashan chhote, darashan chhote bholi surat dil ke khote naam bade aur darashan chhote, darashan chhote naye zamaane ki yeh naari, oonchi sandal baaki saadi naino mein kajra hotho pe laali haath mein kangan kaan mein baali, kaan mein baali naino mein kajra hotho pe laali nakhre bade mote khote naam bade aur darashan chhote, darashan chhote bholi surat dil ke khote naam bade aur darashan chhote, darashan chhote husn aur ishq ki yeh ladayi, suru se jag mein hoti aayi chitalkar: na koi jeete na koi haare, ajee kyoon na phir miljaaye pyaare lata, chitalkar: na tum bade na hum chhote naam bade aur darashan chhote, darashan chhote bholi surat dil ke khote naam bade aur darashan chhote, darashan chhote
Rana Chatterjee, Neelima Gokhale and Sangeeta Melekar performing during our Mega Show 'Jashn Ki Raat' on 8th June 2014 at Yeshwant Natya Mandir.
song:Bholi soorat dil ke khote naam bade aur darshan chhote..
Movie : Albela(1952),
Singers :Chitalkar Ramchandra, Lata Mangeshkar,
Lyricist: Rajinder Krishan,
Music Director: C Ramchandra,
Search filters
Song
: Sham Dhale Khidaki Tale
Movie
: Albela (1951)
Singer(s)
: Lata Mangeshkar, C Ramchandra
Music By
: C Ramchandra
Lyricist(s)
: Rajendra Krishan
Sham dhale khidaki tale, tum siti bajana chhod do
Ghadi-ghadi khidaki me khadi, tum teer chalana chhod do
Roj roj tum meri gali me chakkar kyo ho katate
Aji, chakkar kyo ho katate
Sachchi sachchi bat kahu mai -2, aji tumhare waste, tumhare waste
Jao, jao, hosh me aao, (yun aana jana chhod do - 2)
Mujhse tumhen kya matalab hai, (yeh bat jara batalao - 2)
Bat fakat itani si hai kee tum meri ho jao, aao aao tum meri ho jao
Aisi bate apne dil me, (ai sahib tum lana chhod do - 2)
Char mahine mehnat kee hai, (aji rang kabhi toh layegi -2)
Jao jao jee yaha tumhari, dal kabhi galne naa payegi
Aji dal kabhi galne naa payegi
Dilwalo, matawalo par tum raub jamana chhod do
Aji raub jamana chhod do
Sham dhale.........
Search filters
Song
: Shola Jo Bhadke Dil Mera Dhadke
Movie
: Albela (1951)
Singer(s)
: Lata Mangeshkar, C Ramchandra
Music By
: C RamchandraShola jo bhadke dil mera dhadke
Dard jawaani ka sataye badh-badh ke
Mehki havayen behke kadam mere
Aise mein thaam lo aa ke balam more
Patta bhi khadke to bijli si kadke,
Dard jawaani ka sataye badh-badh ke...
Pyaar ko mere kisne pukara
Dil mein utar gayiaa kiska ishaara
Yaad ye kiski layi pakad ke,
Dard jawaani ka sataye badh-badh ke...
Dekha jo tumko dard gaya tham
Ab to na honge tumse juda ham
Jee na sakenge tumse bichhad ke
Dard jawaani ka sataye badh-badh ke..
Film: Albela (1951)
Director:
Master Bhagwan (as Bhagwan)Cast
| Cast overview: | |||
 |
Geeta Bali | ... |
Asha
 |
| |
Master Bhagwan | ... |
Pyarelal
(as Bhagwan)
 |
| |
Badri Prasad | ... |
Pyarelal's Father
 |
| |
Sunder | ... |
Theatre Owner
(as Sundar)
|
| |
Pratima Devi | ... |
Pyarelal's Mother
 |
| |
Dulari | ... |
Malti
 |
| |
Bimla Kumari | ... |
Bimla
(as Bimla)
 |
| |
Usha Shukla | ||
| |
Nihal Tuma | ... |
(as Nihal)...............................
|
| |
Maruti Rao | ... |
Drummer
(as Maruti).............
|
| |
Shyam | ... |
(as Shyamu)
 |
| |
Baburao |
||
Edit
See full technical specs »
Storyline
Day-dreamer and Artist, Pyarelal, lives a poor lifestyle in Bombay with
his retired dad; housewife mom; married brother, Mohan and his wife,
Malti; and unmarried sister, Vimla. It is now time for Vimla to get
married, her dad has saved a thousand Rupees, while Mohan has made
arrangements for six hundred more, and Pyarelal is asked to arrange for
four hundred. Instead Pyarelal brings home one hundred rupees, informing
his family that he has been fired from his job, and will be unable to
raise any more money. An argument ensues, and Pyarelal is asked to
leave. He leaves, swearing only to return when he is a famous and
wealthy man. He meets with pretty actress, Asha, both fall in love with
each other, and he starts acting in the theater, and achieves quick
success. He starts sending money and gifts home to his parents, and
hopes that they will be pleased with his success. Then one day when he
feels that he has achieved his success, he returns home - only to find
out that the money and ... Written by
rAjOo (gunwanti@hotmail.com)
Plot Summary
|
Add Synopsis
Country:
IndiaLanguage:
HindiAlso Known As:
Happy-Go-Lucky See more »Filming Locations:
Jagrati Studios, Chembur, Mumbai, Maharashtra, IndiaCompany Credits
Show detailed
company contact information
on
IMDbPro »
Technical Specs
Runtime:
Sound Mix:
Mono (RCA Sound System)Color:
Black and White
Edit
Music by C. Ramchandra
Lyrics by Rajendra Krishan
Sung by Lata Mangeshkar & C. Ramchandra (as Chitalkar)
See more »
Did You Know?
Soundtracks
Sham Dhale Khidki TaleMusic by C. Ramchandra
Lyrics by Rajendra Krishan
Sung by Lata Mangeshkar & C. Ramchandra (as Chitalkar)
See more »
Lyrics from Albela (1951)
Other 'Albela (1951)' Songs:1: Dil Dhadke Nazar Sharmaye
2: Balam Bada Nadaan
3: Deewana Yeh Parwana
4: Bholi Surat Dil Ke Khote
5: Dhire Se Aaja Ri Ankhiya Me, Nindiya Aaja Ri
6: Dhire Se Aaja Ri Ankhiya Me (Sad)
7: Hasino Se Mohabbat Kaa Bura Anjam Hota Hain
8: Kabhi Kali Ratiya, Kabhi Din Suhane
9: Mehfil Me Mere Kaun Yeh Diwana Aa Gaya
10: Mere Dil Kee Ghadi Kare Tik Tik Tik
11: Sham Dhale Khidaki Tale
Albela [1951] Geeta Bali | Bhagwan Dada - Hindi Film ...
www.youtube.com/watch?v=oXktiY6TCqQ
May 29, 2013 - Uploaded by Old Hindi Songs
Albela is a 1951 Bollywood musical comedy film directed by and starring Bhagwan Dada and Geeta Bali. A ...Albela 1951 I Bhagwan Dada, Geeta Bali I Full Length Hindi ...
www.youtube.com/watch?v=Fw3uR4fgpwEMay 28, 2013 - Uploaded by Biscoot Talkies I Subscribe Now →Watch classic hindi movie Albela (1951), directed by Bhagwan Dada, Music by C Ramchandra, and starring ...
Search filters
Starring : Geeta Bali,Bhagwan Dada,Badri Prasad,Sunder,Pratima Devi. Albela is a 1951 Bollywood musical comedy film directed ...Film: Albela (1951) sham dahle
ALBELA (1951) Movie Songs Lyrics Shaam Dhale Khidki Tale Lyrics Hindi Song Title: Shaam Dhale Khidki Tale : ALBELA (1951) ..Albela, 1951
80th episode of 100 years of Bollywood, a series featuring the milestones of Hindi Cinema, India. Bhagwan Dada, so called for his ...- HD
==============================================
Bhagwan
Bhagwan Abaji Pandav, better known as Bhagwan or Bhagwan Dada, was acknowledged as an ace comic actor. His musical film, "Albela", released in 1951, has stood the test of time. Even today, in this jet age of electronic entertainment, crowds go hysterical every time they hear Shola jo bhadke, dil mera dhadke … or Bholi surat dil ke khote, naam bade aur darshan chhote… from the film. Whether it is at a film awards function, the disco, the dandiya or weddings, the songs of "Albela" are a must. In fact, every major star from Amitabh Bachchan and Govinda to Mithun Chakraborty and Rishi Kapoor has copied Bhagwan-style slow-moving dancing in their movies.
Bhagwan - Bollywood's famous comedian
Bhagwan was different from our concept of a romantic hero. He was portly, slow-moving and had bulging eyes. But in "Albela" he clicked well with Geeta Bali. "Albela" had a simple and uncomplicated storyline. A poor man from an orthodox family dreams of becoming a "kalakar". People laugh at his ambitions and his family is indifferent. But he comes into contact with a well-known female singer who recognizes the tremendous talent and never-say-die spirit of the man and encourages him. The film has sparkling Geeta Bali in the female lead while producer-director Bhagwan himself plays the hero. He is ideally cast as the simple man who loves music and singing and is determined to make a mark for himself.
The movie went on to become a major hit mainly due to its melodious tunes composed by C. Ramachandra who was a close personal friend of Bhagwan. They were discussing the film while sitting at a Churchgate restaurant in Mumbai and C. Ramachandra promised to give music "for the love of it." And sure enough, he gave one lilting tune after another for "Albela". The rest is history. The film became a super hit and Bhagwan had everything he had dreamt of — money, fame and friends.
But Bhagwan had begun life very differently. Son of a textile mill worker, his childhood in the labour areas of Parel and Dadar in Mumbai was bereft of any luxury. He was a wide-eyed admirer of the silent cinema and worshipped Master Vithal who was the star of the day. He used to dream of emulating his stunt and fight scenes. Forced to give up studies after the fourth standard, Bhagwan did odd jobs, but his aim was clear — to join films. He joined a local gym to build up his muscles, and there was a time when he looked like Rambo.
He haunted the studios hoping he would be discovered. Finally, in 1930, he got a break. Producer Siraj Ali Hakim gave him a comedian’s role in the silent film "Bewafa Aashiq," based on "The Hunchback of Notre Dame". The film was a hit, but he was without offers for eight months because it was believed that he was really a hunchback!
Then Bhagwan met Chandravarkar Pawar who gave him work in three silent movies. In 1934 he made his first talkie "Himmat-e-Mardan". After that he joined another company and directed a film called "Bahadur Kisan", with Hansa Wadkar as the heroine. The movie again was a big hit. During the shooting of the film, he had taken a lanky young man, Chitilkar Ramachandra, as his assistant. He gave him a break as a music director in the three. Tamil films he directed in Madras. He used to call him Anna and there began their long association during which C. Ramachandra, out of gratitude, gave him Hindi film industry’s all-time favourite songs for "Albela," including one of the loveliest loris Dhire se aaja ri, ankhiyan mein….
Thereon Bhagwan directed and acted in films like "Dosti", "Jalan", "Criminal", "Bhedi Bangla" and so on. It was a period when action films were popular. Bhagwan and Fearless Nadia were public idols and crowds thronged theatres where their films were shown. He also acted as a hero in "Bade Sahib", "Daamad", "Ghazab", "Ram Bharose" and "Bhoole Bhatke".
His film "Bhedi Bangla" was a suspense and horror film. Nobody had tried that genre before. Everybody ridiculed the idea. But Bhagwan was confident. He completed the film in three months flat. All cameramen and directors in the industry queued up to see its special effects. V. Shantaram was very impressed.
Most of the dubbing, recording and trials for his films were done at Famous Studios. Raj Kapoor was a regular visitor there. Bhagwan always took special care to see that no outsiders were allowed during a trial, but the moment he entered the auditorium, Raj would be there before him. He liked "Bhedi Bangla" very much, particularly a dance sequence. He urged Bhagwan to move from stunt films to socials as he had a wonderful technique. At about the same time C. Ramachandra too suggested that he give up "dishum-dishum" type of films and concentrate on social themes.
The result was "Albela". The film was in tune with the newly independent India. Both the young and the old loved it and it ran for more than 50 weeks at the theatres where it was shown. Why, at some centres, it was more popular than even Raj Kapoor’s "Barsaat"!
However, efforts to repeat the "Albela" magic fizzled with such spin-offs as "Labela" and "Jhamela", which were miserable flops. His film "Sahme Hue Sapney" didn’t survive beyond the first show. Then he suffered a heavy loss while making "Hanste Rehna" with Kishore Kumar. He had invested his own money, pawned his wife’s jewellery and withdrawn all his life’s savings. But half way through, Kishore started dilly-dallying and "behaving crazily" and the project had to be shelved.
All this taught Bhagwan Dada some bitter lessons. His large circle of friends, who ate, drank and made merry at his expense, slowly deserted him. His sea-facing Juhu bungalow with 25 rooms along with his fleet of seven cars (one for each day of the week) had to be sold. The family moved to a two-room set in a chawl at Dadar. In his last days he was being looked after by his unmarried daughter and the family of his youngest son, who is a sound recordist.
A veteran actor of about 600 films in the course of more than five decades, Bhagwan continued to get bits and pieces roles in films like "Sindbad the Sailor", "Goonj", "Chori Chori", "Taraana", "Ek Se Badh Kar Ek", "Sharabi" etc. But ultimately he gave up as he could not adapt to the indiscipline of the present set-up. The Cine Artistes’ Association and the Indian Motion Picture producers’ Association were paying him Rs 3,000 and Rs 5,000, respectively, for the past few years.
Bhagwan had some of the artistes like Sunil Dutt, Johnny Lever and Satyen Kappu visiting him. He was in particular grateful to Dilip Kumar who would stop his car and honk whenever he passed by his window and would not move till they greeted each other. Some other industry folks too would salute him on the odd occasion he attended a public function.
Some years ago, he was honoured with the Shanta Hublikar Award for a life-time contribution to cinema. At another function, he received a souvenir from the state culture Minister, Mr Pramod Navalkar. The audience cheered him wildly when Bhagwan removed his glasses, rolled his eyes and did a jive on the stage. It was indeed an unforgettable moment – Devinder Bir Kaur
Geeta Bali
Geeta Bali outclassed the movies she starred in.
Geeta Bali
Easily one of the five best actresses ever to grace the Hindi screen, she unfortunately never found a vehicle worthy of her prodigious talents. Gifted with effervescent naturalism and a delightfully dead-on sense of comic timing, Geeta, however, frittered away her talents in a multitude of B-grade films. In her 10-year-long career she did around 70 films, once even becoming famous for having three premieres on the same day.
The reasons for Geeta’s profligacy with her talents may lie in her roots in extreme poverty which saw her fighting the demons of financial insecurity. Born into a subsistence-level family, she was the daughter of an itinerant Sikh missionary. Geeta did a few inconsequential, dancing roles in pre-partition Punjab, in films like Badnaami, before moving to Bombay, where Kidar Sharma discovered her living en famille in somebody’s bathroom!
Sharma cast her in his Suhaag Raat (’48) where Geeta’s acting was a revelation! Moving through her scenes like an exquisite paper knife, she cut though convention — in one scene even tossing her unconscious hero, Bharat Bhushan, onto her shoulder. Audiences delighted in her sheer joie de vivre and Geeta grabbed every role that came her way including that of Suraiya’s wayward younger sister in the hit Badi Bahen (’49).
In 1951, she unexpectedly found herself at the zenith of her career. Through sheer force of will, she triumphed with two films despite the dice being loaded against her. In Baazi she was only the gangster’s moll. Yet, hero Dev Anand concedes, “People would come repeatedly to the theatres only to see Geeta dancing to `Tadbeer se bigdi hui taqdeer bana le’”. In Albela, Geeta’s hero was Bhagwan, a comedian whom no other heroine would have been willing to star opposite. Yet, Geeta worked her alchemy and the film is today a cult favorite. The most enduring images are that of the lead couple’s dancing and of Geeta’s face, a pool perpetually rippled by her feelings.
Geeta was not a traditional beauty. None of her features were individually stunning; but her face added up to more than just the sum of its parts, especially when awash with her archetypal vibrancy. Her appeal lay in her personality. Unpretentious even after stardom, Geeta shunned the coy act of the 50s heroines. Stories of her largesse are legend — she did four films with Jaswant because he was her brother-in-law, she sportingly played a small role of a man in Sharma’s Rangeen Raatein and this rebel thought nothing of driving herself to premieres in an open jeep. Her love for life captivated Shammi Kapoor and in 1955, Geeta sidelined her career to marry the as-yet-unsuccessful Shammi in an impromptu midnight wedding.
Their marriage withstood the upheavals wrought by Shammi’s stardom but the creative urge within Geeta cried for expression. She rued the fact that she had never crossed paths with a true classic and decided to produce and act in Rano a cinematic expression of the potent theme of Rajinder Singh Bedi’s classic novel on widow remarriage — Ek Chaddar Maili Si.
However, tragedy struck when on an outdoor shooting in Punjab, Geeta contracted smallpox. Rushed back to Bombay, her temperature soared to 107°F and she had to be put on ice. Pointing to a picture of Geeta, the doctor had asked, ‘Who is she?’ — so completely had the shadow of death triumphed over one so fond of life. Ironically, even after her father had been blinded by small pox, Geeta had refused all vaccinations. In death, as in life, Geeta remained recklessly trusting.
In the winter of 1965, the 36-year-old body of one of our most vivacious actresses, Geeta Bali, was cremated at Banganga, close to the temple where she had married Shammi Kapoor.
- HD
No comments:
Post a Comment