Saraswatichandra (1968)
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| Directed by | Govind Saraiya |
| Starring | Nutan Manish |
| Music by | Kalyanji-Anandji |
| Cinematography | Nariman A. Irani |
| Release date(s) | 1968 |
| Country | India |
| Language | Hindi |
phool tumhe bheja hai khat me phool nahi mera dil hai
phool tumhe bheja hai khat me phool nahi mera dil hai
priytam mere mujhko likhna kya yeh tumhare kabil hai
pyar chupa hai khat me itna jitne saagar me moti
pyar chupa hai khat me itna jitne saagar me moti
chum hi leta haath tumhara paas jo tum mere hoti
phool tumhe bheja hai khat me
neend tumhe to aati hogi kya dekha tumne sapna
neend tumhe to aati hogi kya dekha tumne sapna
aankh khuli to tanhai thi sapna ho na saka apna
tanhai hum dur karege le aao tum sahnai
le aao tum sahnai
preet bada kar bhul na jana preet tumhi ne sikhlayi
phool tumhe bheja hai khat me phool nahi mera dil hai
phool tumhe bheja hai khat me
khat se ji bharta hi nahi ab nain mile to chen mile
khat se ji bharta hi nahi ab nain mile to chen mile
chand hamare agna utre koi to aisi rain mile
milna ho to kaise mile hum milne ki surat likh do
milne ki surat likh do
nain bichaye baithe hai hum kab aaoge khat likh do
phool tumhe bheja hai khat me phool nahi mera dil hai
phool tumhe bheja hai khat me
Phool Tumhe Bheja Hai : English Translation
फूल तुम्हें भेजा है ख़त में ,फूल नहीं मेरा दिल है ( Female)
phool tumhe bhejaa hai khat mein, phool nahin meraa dil hai
Flower have I sent you in this letter, it is not a flower but my heart
प्रियतम मेरे मुझ को लिखना, क्या ये तुम्हारे क़ाबिल है
priyatam mere mujh ko likh na, kyaa ye tumhaare kabil hai
O,my sweetheart, you write and let me know if it is worthy of you
प्यार छुपा है ख़त में इतना, जितने सागर में मोती ( male)
pyaar chhupaa hai khat mein ithnaa, jithne saagar mein moti
there is so much love hidden in this letter, like the number of pearls in the ocean
चूम ही लेता हाथ तुम्हारा ,पास जो तुम मेरे होती
chuum hi letha haath tumhaaraa, paas jo tum mere hotii
I would have kissed your hand, if you were nearby
फूल तुम्हें ....( Female)
phool tumhe ...
Flower have I sent
नींद तुम्हें तो आती होगी ,क्या देखा तुमने सपना ( Female)
neend tumhe to aatee hogee, kyaa dekhaa tumne sapanaa
you must be falling asleep, what dreams did you have?
आँख खुली तो तनहाई थी, सपना हो न सका अपना (male)
aankh khulee to tanahaee thee, sapanaa ho naa sakaa apanaa
when I woke up, there was loneliness, the dreams could not become mine
तनहाई हम दूर करेंगे , ले आओ तुम शहनाई ( Female)
tanhaee hum door karenge, le aao tum shehanaaee
I will keep your loneliness away, you just bring the trumpets
प्रीत बढ़ाकर भूल न जाना, प्रीत तुम्हीं ने सिखलाई (male)
preet badhaakar bhool naa jaanaa, preet tumhee ne sikhalaayee
Increasing the love don't forget it, you are the one who taught me love
फूल तुम्हें ....( Female)
phool tumhe ...
Flower have I sent
ख़त से जी भरता ही नहीं अब, नैन मिले तो चैन मिले (male)
khat se jee bhartaa hi nahin, ab nain mile to chain mile
the heart is not satisfied with the letter only, when eyes meet, there will be peace
चाँद हमारे अंगना उतरे , कोई तो ऐसी रैन मिले
chaand humaare angnaa utare, koyi to ayesee rain mile
the moon lands in our compound, let there be such a night
मिलना हो तो कैसे मिले हम, मिलने की सूरत लिख दो
milanaa ho to kaise mile hum, milane kee surat likh do
if we have to meet, how shall we, write the way of meeting in the letter
नैन बिछाये बैठे हैं हम , कब आओगे ख़त लिख दो ( Female)
nain bichhaye baithhe hain hum, kab aaoge khat likh do
I am looking forward to you, when will you come, write a letter
फूल तुम्हें ... ( Female)
phool tumhe ..
Flower have I sent
Song Heading | Singer(s) | Music Director | Lyricist | Movie / Album | Actor(s) |
| Chandan Sa Badan Chanchal Chitwan - by Mukesh | Mukesh | Kalyanji Anandji | Indeevar | Saraswati Chandra (1968) | Manish, Nutan |
| Video Playlist of all the songs of this movie from youtube | Advertisements |
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saraswatichandra movie
Story
Meanwhile, Saraswati, having forsaken his home, has been roaming the country, certainly not very far away, because he reaches Prabhat’s mansion and is found sleeping by the pool there one morning. His presence is made known to Kumud’s father in-law, who despises his son’s cheap life, and adopts Saraswati as his secretary. Of course the two former lovers meet, but Kumud is adamant about her duties, and staunchly stands up for religious traditions. Saraswati witnesses her anguished life and tries to reach out to her, but she objects: why does he interfere in their lives? She is “bohot khush” (very happy)! Nevertheless things change, because Prabhat’s behaviour is more and more openly flirtatious, and Saraswati’s presence lasts longer and longer! One night Kumud cannot resist entering his room, and if nothing happens, Saraswati decides to leave. On his way he is caught by dacoits and left for dead in the sun. A group of holy men spot him and take him away to their hermitage where he starts leading the life of a recluse.
Things darken for Kumud. She’s chased away from Prabhat’s mansion after one of his mistresses lays her hand on a fragment of her former lover’s letters. This gives Prabhat the pretext he’s been looking for: she must go back to her mother. The blackmail works well, because if she says he’s been unfaithful, he shows the letter to everyone. Nevertheless her dignified attitude has earned her the friendship of women in her in-laws’ household, and they reveal to Prabhat’s parents that he has chased his wife out of lust and selfishness. These chase him away and he vows he will die (he does die, strangely enough, because such a weak character would hardly have the resolve). Kumud takes advantage of a halt on her way back, and tries to drown in the river. But she doesn’t die, and is retrieved by some holy women on the bank. They take her to the same temple where Saraswati is trying to atone for his sins. So they meet again!
Last episode: the two lovers are once more face to face. First Kumud cannot believe she’s bumped into him again, but submits to her fate, and accepts the senior sister’s advice that she has to do something for Saraswati. The latter, on the other hand, has a mission to fulfil: told by the guru that Prabhat is dead, he will have to break the news to Kumud. A (very static) meeting is organised: after having realised that their fate has brushed them together, they admit they are made one for the other, and love starts developing. But Kumud doesn’t know she’s a widow, and still hangs on to the hope that she might change her husband, and that her life will continue at her in-laws once she gets back there.
When Saraswati reluctantly tells her, he faces a new Kumud, who must now embrace the widow’s status. The film ends with Saraswati accepting Kusum
Cast
- Nutan as Kumud Sundari
- Manish as Saraswati Chandra / Navin Chander
- Vijaya Choudhury as Kusum
- Ramesh Deo as Pramad
- Sulochana Latkar as Kumud's mother
- B.M. Vyas as Kumud's grandfather
- Seema Deo as Alak
- Jeevan Kala
- S.B. Nayampalli as Pramad's father
- Sulochana Chatterjee as Pramad's mother
- Babu Raje
- Dulari as Saraswati Chandra's step-mother
- Shivraj as Saraswati Chandra's father
- Praveen Paul as Kumud's aunt
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