Tuesday, August 26, 2014

Ye Mera Prem Patra Padhkar-Anil Bajpai performing

Image result for Sangam 1964


Directed byRaj Kapoor
Produced byRaj Kapoor
Written byInder Raj Anand
StarringVyjayanthimala
Raj Kapoor
Rajendra Kumar
Narrated byRaj Kapoor
Music byShankar Jaikishan
CinematographyRadhu Karmakar
Edited byRaj Kapoor
Production
  company
Mehboob Studio
Filmistan
Distributed byR. K. Films
Release date(s)
  • 1 January 1964
Running time238 minutes
CountryIndia
LanguageHindi



meharbaan likhu, hasina likhu ya dilruba likhu hairan hu ki aapko is khat me kya likhu ye mera prempatra padh kar ke tum naraz na hona ki tum meri zindagi ho, ki tum meri bandagi ho ye mera prempatra padh kar ke tum naraz na hona ki tum meri zindagi ho, ki tum meri bandagi ho tujhe mai chanda kahta tha magar usme bhi daag hai tujhe mai chanda kahta tha magar usme bhi daag hai tujhe suraj mai kahta tha magar usme bhi aag hai tujhe itna hi kahta hu ki mujhko tumse pyaar hai tumse pyaar hai, tumse pyaar hai ye mera prempatra padh kar ke tum naraz na hona ki tum meri zindagi ho, ki tum meri bandagi ho tujhe ganga mai samjhunga, tujhe jamuna mai samjhunga tujhe ganga mai samjhunga, tujhe jamuna mai samjhunga tu dil ke paas hai itni tujhe apna mai samajhunga agar mara jaau ruh bhatakegi tere intzar me intzar me, intzar me ye mera prempatra padh kar ke tum naraz na hona ki tum meri zindagi ho, ki tum meri bandagi ho ye mera prempatra padh kar ke tum naraz na hona ki tum meri zindagi ho, ki tum meri bandagi ho




Yeh Mera Prem Patra Padhkar Ke Tum Naraz 
4.36 - 266 votes
Mohammad RafiShankar JaikishanHasrat JaipuriSangam (1964)Rajendra Kumar,Vyjayantimala
Video Playlist of all the songs of this movie from youtubeAdvertisements
Dost Dost Na Raha Pyar Pyar Na Raha 
4.23 - 171 votes
MukeshShankar JaikishanShailendraSangam (1964)Raj Kapoor,Vyjayantimala,Rajendra Kumar
Har Dil Jo Pyar Karega, Voh Gana Gayega 
4.11 - 148 votes
Mahendra Kapoor,Mukesh, Lata MangeshkarShankar JaikishanShailendraSangam (1964)Vyjayantimala,Rajendra Kumar,Raj Kapoor
O Mere Sanam O Mere Sanam 
4.38 - 86 votes
Lata Mangeshkar,MukeshShankar JaikishanShailendraSangam (1964)Raj Kapoor,Rajendra Kumar,Vyjayantimala
Mere Man Ki Ganga Aur Tere Man Ki Jamuna Ka 
4.04 - 68 votes
Vijayanthimala,MukeshShankar JaikishanShailendraSangam (1964)Vyjayantimala, Raj Kapoor
Main Kya Karun Ram Mujhe Buddha Mil Gaya 
3.93 - 94 votes
Lata MangeshkarShankar JaikishanHasrat JaipuriSangam (1964)Vyjayantimala, Raj Kapoor
O Mahabubaa Tere Dil Ke Paas Hi Hai 
4.42 - 45 votes
MukeshShankar JaikishanHasrat JaipuriSangam (1964)Raj Kapoor,Vyjayantimala,Rajendra Kumar
I Love You (Ich Liebe Dich) 
4.43 - 14 votes
Vivian LoboShankar JaikishanInfo NASangam (1964)Vyjayantimala, Raj Kapoor

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Sangam (1964)
Film cast:Raj Kapoor, Vyjayantimala, Rajendra Kumar, Amod Mehra, Raj Mehra, Nana Palsikar, Iftekhar, Lalita Pawar, Achla Sachdev
Singer:Lata Mangeshkar, Mahendra Kapoor, Mohammed Rafi, Mukesh
Lyricist:Hasrat Jaipuri, Shailendra
Music Director:Shankarsinh Raghuwanshi, Jaikishan Dayabhai Pankal
Film Director:Raj Kapoor
Film Producer:Raj Kapoor
External Links:Sangam at IMDB    Sangam at Wikipedia



Plot summary

Sundar (Raj Kapoor), Gopal (Rajendra Kumar) and Radha (Vyjayantimala) have been friends since childhood. As they grow into adults, Sundar develops an obsessive romantic attraction to Radha, but she prefers Gopal, who is also in love with her. Yet, as Sundar has confided his feelings for Radha to him, Gopal decides to sacrifice his love for his friend’s sake. Radha systematically resists Sundar’s overtures, but to no avail. For him, she is the only woman in the world. Matching Sundar’s great love for Radha is his unswerving devotion to his friendship with Gopal.
Eventually, Sundar enlists in the Indian Air Force and is assigned to a military mission in Kashmir. Before leaving, he extracts a promise from Gopal, whom he trusts implicitly, never to let any man come between Radha and himself while he is away. Subsequently, Sundar’s airplane is shot down over Kashmir. He is listed as MIA and presumed dead. This news saddens Radha and Gopal, but they are nonetheless now free to profess their love for one another. Among other expressions of love, Gopal writes her an unsigned prem patra (love letter) which touches her particularly and which she hides away. Just when they begin taking steps to be married, Sundar returns, safe and sound. The self-effacing Gopal sacrifices himself once more, stepping back into the shadows, watching as the reborn Sundar resumes his wooing of Radha. Inevitably, the two marry.
After the couple returns from an extended European honeymoon, Sundar is deliriously happy. His life’s dream has been realised. Radha is resolved to be faithful to her husband and to put Gopal out of her mind. She privately asks him to stay away from her and Sundar because of the torture his presence causes her. Sundar’s devotion to Gopal, however, is such that he constantly tries to draw him into their life, much to Radha’s chagrin. The perfection of their marital bliss is, however, shattered when Sundar accidentally discovers the unsigned love letter Gopal had written to Radha. Sundar is thunderstruck, and assumes that Radha has been unfaithful to him. Producing a pistol, he demands she divulge the name of the supposed lover and threatens to kill the man, but she refuses.
In the days that follow, Sundar becomes obsessed with discovering the identity of the letter's author and cannot return to normalcy. Radha’s life becomes miserable, lived out against the incessant drama of Sundar’s jealousy, threats, anger and fixation with the letter. Eventually unable to bear the wretchedness of her existence with Sundar any further, Radha flees to Gopal for help. Sundar takes the same route, unaware that Radha has gone to Gopal’s house. There, matters come to a head. The overwrought Gopal admits his authorship of the infamous letter to Radha, an admission which almost destroys his friend. Gopal, perceiving no exit from the impasse at which the three have arrived, kills himself with Sundar’s pistol. Radha and Sundar are finally reunited - in mourning.

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